Mar 5, 2020 | Blog
Self-portrait in a cap, wide-eyed and open-mouthed, 1630 When you walk down one corridor in the current Ashmolean Museum’s exhibition of Young Rembrandt you see half a dozen tiny-to-small, though not quite postage stamp-size etchings, which are self-portraits of the...
Feb 24, 2020 | Blog
A scene from Luisa Miller by Giuseppe Verdi @ London Coliseum. An English National Opera production. Directed by Barbora Horakova. Conductor, Alexander Joel. ©Tristram Kenton The English National Opera company is having a tough old time. Its personnel keep changing,...
Feb 23, 2020 | Blog
There’s something a bit ho-hum, mean and pinched about the reception of Sir Tom Stoppard’s new (and, he says, perhaps final play), Leopoldstadt. A minority has treated its opening this February in the 1899 Wyndham’s Theatre as a perfectly ordinary event, nothing...
Feb 5, 2020 | Blog
February 5, 2020 by Paul Levy Alan Cumming and Daniel Radcliffe in Rough for Theatre II (Photo Manuel Hardan) For one reason or another, we hadn’t been to the Old Vic since the daft unisex loos were installed, and, said my wife, “Something else has changed.” It was...
Feb 3, 2020 | Blog
THE BOTTLE On Thursday, 23rd January, we had a small party at Millwood Farm. Though as it happened all our guests had our recovered good health to celebrate, that was not the reason for the gathering. Our excuse to dine on foie gras, tomato salad and burrata, and...
Nov 28, 2019 | Blog
A scene from My Brilliant Friend Part 1, image by Marc Brenner As I’ve relished all four volumes of the identity-mysterious Elena Ferrante’s Neapolitan Novels, I was more than willing to sit through the four/five hour double-bill of the National Theatre’s production...
